Friday, 17 February 2012

Daytime Long Exposure in COLOR!

Angkor Wat at Sunset



This image was post processed with Nik Software Silver Efex Pro 2. For those of you using it and want to try something different from the standard Black and White Long Exposure Photography, then after creating the SEP layer in Photoshop, change the blending option in the Layers Pallet (top left, drop down menu) from the default 'Normal' to the last option on the list 'Luminosity'. This will keep the colors of your image and still use the structure enhancing capabilities of the Silver Efex Pro.  This feature maintains the beautiful landscape Fine Art look but adds Pazaz!

This photo has a great story:
In Siem Reap (Cambodia) the temples are a UNESCO heritage site and you can buy a one day, three day or week long pass. I bought a three day pass. The area is very large and you have to get around by took took, motorbike or taxi. On the first day I hired a took took to take me to see the sites and we started before the sunrise (which is a story on its own) and by noon I was knackered! After a refreshing rest at my room I headed back to the temples to catch the afternoon sun. We hopped from one temple to another and he took to one temple that he thought was best for the sunset. The problem was that every other tourist in Siem Reap also thought so. Frustrated from the crowds, I rushed back to him and with minutes left before the sun went down asked him to take me to this location (facing east). Of course everyone else was at a different location that faced west. I can not emphasis this enough to beginning photographers: Do Not Shoot Directly at the SUN – Shoot Against IT!

I owe this image to my took took driver Won that made a dinky little two stroke as fast as an Audie TT!

 The next two days didn’t have a cloud in site. Seize the moment; you never know what tomorrow will be like….

To learn more about Daytime Long Exposure Photography, please go to: www.SharonTenenebaum.com



Tuesday, 31 January 2012

The Bamboo Bridge - Kompong Cham, Cambodia

Bamboo Bridge - Cambodia



This Bamboo bridge (which looks more like matchsticks) gets rebuilt every year after the rainy season. I found the messiness of the lines fascinating. After I got home and post processed the long exposure shot, I was pleasantly surprised to see the lines in the sky as well. Seems like the most suitable title for this image is ‘Order in the Chaos’.

Technical Details:
Daytime Long Exposure (sunrise hours actually)
Camera: Canon D5 Mark II
Shutter Speed: 360 sec (6 minutes)
Focal Length: 24 mm (Full Frame)

Post processing to black and white with Photoshop and Nik Software Silver Efex Pro 2

To learn more about how to create daytime Long Exposure Fine Art Photography, please go to www.SharonTenenbaum.com

Tuesday, 15 November 2011

Publication In Lenswork Magazine




Capilano Suspension Bridge and Jerusalem Chords Bridge were published in the Lenswork Magazine in the Year Ends Portfolio.

Looking at the two images together one cannot help notice that they have a very similar composition. Yes, that is intentional.   The Capilano was taken in early 2008 and God knows where I had the insight to come up with this fabulous composition.  In May 2010 I was in Israel and after taking several shots of the Chords Bridge and studying it further I could not help notice the resemblance and wanted to create a sister image. This image of the Chords Bridge is a daytime long exposure, 13 F-stop ND filters reduction with an approximate exposure of 4 minutes. Later in the digital darkroom it was converted to black and white.

To learn more about How to Create Long Exposure Fine Art Photography, please go to: www.SharonTenenbaum.com

www.SharonTenenbaum.com

Wednesday, 12 October 2011

Special Holiday Offer: Ebook Now on a CD

The Ebook: How to Create Long Exposure Fine Art Photography is now available on a CD. The perfect gift for the Holiday Season to that photographer enthusiastic that you know.

Ebook on CD Format


The Ebook will walk you through step by step on how to create stunning black and white images using daytime long exposure. Extensive explanations on ND Filters and post processing in the Digital Darkroom.

The Ebook in CD Format is only available until November 25, 2011

Click HERE to View Inside and/or Purchase




Wednesday, 14 September 2011

“The Schindler of Photography” - Ernst Leitz II founder of the Leica which is the pioneer of the 35mm camera.

The Leica is the pioneer of the 35mm camera. It is a German product - precise, minimalist, and utterly efficient. Behind its worldwide acceptance as a creative tool was a family-owned, socially oriented firm that, during the Nazi era, acted with uncommon grace, generosity and modesty. E. Leitz Inc., designer and manufacturer of Germany's most famous photographic product, saved its Jews.

And Ernst Leitz II, the steely-eyed Protestant patriarch who headed the closely held firm as the Holocaust loomed across Europe, acted in such a way as to earn the title, "the photography industry's Schindler."
As soon as Adolf Hitler was named chancellor of Germany in 1933, Ernst Leitz II began receiving frantic calls from Jewish associates, asking for his help in getting them and their families out of the country. As Christians, Leitz and his family were immune to Nazi Germany's Nuremberg laws, which restricted the movement of Jews and limited their professional activities.

To help his Jewish workers and colleagues, Leitz quietly established what has become known among historians of the Holocaust as "the Leica Freedom Train," a covert means of allowing Jews to leave Germany in the guise of Leitz employees being assigned overseas.
Employees, retailers, family members, even friends of family members were "assigned" to Leitz sales offices in France, Britain, Hong Kong and the United States. Leitz's activities intensified after the Kristallnacht of November 1938, during which synagogues and Jewish shops were burned across Germany.

Before long, German "employees" were disembarking from the ocean liner Bremen at a New York pier and making their way to the Manhattan office of Leitz Inc., where executives quickly found them jobs in the photographic industry.

Each new arrival had around his or her neck the symbol of freedom – a new Leica.

The refugees were paid a stipend until they could find work. Out of this migration came designers, repair technicians, salespeople, marketers and writers for the photographic press.

Keeping the story quiet the "Leica Freedom Train" was at its height in 1938 and early 1939, delivering groups of refugees to New York every few weeks. Then, with the invasion of Poland on Sept. 1, 1939, Germany closed its borders.

By that time, hundreds of endangered Jews had escaped to America, thanks to the Leitzes' efforts. How did Ernst Leitz II and his staff get away with it?
Leitz, Inc. was an internationally recognized brand that reflected credit on the newly resurgent Reich. The company produced range-finders and other optical systems for the German military. Also, the Nazi government desperately needed hard currency from abroad, and Leitz's single biggest market for optical goods was the United States.

Even so, members of the Leitz family and firm suffered for their good works. A top executive, Alfred Turk, was jailed for working to help Jews and freed only after the payment of a large bribe.

Leitz's daughter, Elsie Kuhn-Leitz, was imprisoned by the Gestapo after she was caught at the border, helping Jewish women cross into Switzerland. She eventually was freed but endured rough treatment in the course of questioning. She also fell under suspicion when she attempted to improve the living conditions of 700 to 800 Ukrainian slave laborers, all of them women, who had been assigned to work in the plant during the 1940s.
(After the war, Kuhn-Leitz received numerous honors for her humanitarian efforts, among them the Officier d'honneur des Palms Academic from France in 1965 and the Aristide Briand Medal from the European Academy in the 1970s.)

Why has no one told this story until now? According to the late Norman Lipton, a freelance writer and editor, the Leitz family wanted no publicity for its heroic efforts. Only after the last member of the Leitz family was dead did the "Leica Freedom Train" finally come to light.
It is now the subject of a book, "The Greatest Invention of the Leitz Family: The Leica Freedom Train" by Frank Dabba Smith, a California-born Rabbi currently living in England.

Thank you for reading the above, and if you feel inclined as I did to pass it along to others, please do so. It only takes a few minutes. Memories of the righteous should live on.

Tuesday, 21 June 2011

Daytime Long Exposure with Wind Farms

Photographing wind farms was on my ‘To Do’ photography list, so when I planned my trip to Portugal I was happy to find out that wind farms are spotted all over the country on mountaintops.  Although I kept seeing them from the bus and train, I hadn’t rented a car and therefore thought that my wind farms would have to wait for another occasion.  On the last stretch of my two weeks in Portugal, I headed down south to the Algarve region for some R & R, but laying the beach I say the clouds roll in and I just couldn’t let this opportunity pass.  I packed my stuff off the beach and headed to the nearest car rental place and headed to the mountains.  In my mind I envisioned taking a daytime long exposure of these majestic creatures as fine art and use three different exposures:

  1. a quick shutter to catch the rotors as a still shot.
  2. a long exposure to catch the motion of the clouds, and
  3. a longer than still shutter speed to catch the rotor in motion since in the long exposure the rotors came out completely invisible.



The result you can see below:

Wind Farm #1 I superimposed two images: a daytime long exposure and a quick shutter for the rotor, catching the movement of the rotor (as I thought in exposure #3) just didn’t seem to come out as I envisioned since the clouds came out as still shot too.


Wind Farm #1

Technical info of Wind Farm #1 Image 1:

Daytime long exposure, Shutter speed of 94.8 seconds 1.3 minutes

Aperture F-11, at 18 mm (DX sensor)

I placed two ND filters, a 10 stop and a 3 stop for a total of 13 f-stops

Later in the ‘Digital Darkroom’ I converted the image to black and white.

  


Wind Farm #2 is just one shot with a semi long exposure, the first turbine’s rotor was spinning very slow for some reason so I managed to catch the movement or the rotor as well as the clouds with one shot.

Wind Farm #2



Technical info of Wind Farm #2:

Daytime long exposure, Shutter speed of 242 seconds 4 minutes

Aperture F-16, at 60 mm (DX sensor)

I placed two ND filters, a 10 stop and a 3 stop for a total of 13 f-stops

Later in the ‘Digital Darkroom’ I converted the image to black and white.



For more on daytime long exposure and to learn how to create these images, please go to www.SharonTenenbaum.com where you can purchase the EBOOK called’ How to Create Long Exposure Fine Art Photography’.

Tuesday, 14 June 2011

Vasco de Gama Bridge

The longest bridge in Europe, this majestic structure leaves you in awe. I was struggling to create an image that would capture its beauty and marvel in one frame. I tried different angles but there is something about water and the human eye that needs a horizontal horizon line.  I knew it had to be in a long exposure and found myself going back to the location three times to get the conditions I needed.  Eventually the wow shot was the one I believe created a strong yet serene emotion.




Technical info:

Daytime long exposure, Shutter speed of 655 seconds xx minutes

Aperture F-11, at 38 mm (DX sensor)

I placed two ND filters, a 10 stop and a 6 stop for a total of 16 f-stops

Later in the ‘Digital Darkroom’ I converted the image to black and white.



For more on daytime long exposure and to learn how to create these images, please go to www.SharonTenenbaum.com where you can purchase the EBOOK called’ How to Create Long Exposure Fine Art Photography’.