Tuesday 15 November 2011

Publication In Lenswork Magazine




Capilano Suspension Bridge and Jerusalem Chords Bridge were published in the Lenswork Magazine in the Year Ends Portfolio.

Looking at the two images together one cannot help notice that they have a very similar composition. Yes, that is intentional.   The Capilano was taken in early 2008 and God knows where I had the insight to come up with this fabulous composition.  In May 2010 I was in Israel and after taking several shots of the Chords Bridge and studying it further I could not help notice the resemblance and wanted to create a sister image. This image of the Chords Bridge is a daytime long exposure, 13 F-stop ND filters reduction with an approximate exposure of 4 minutes. Later in the digital darkroom it was converted to black and white.

To learn more about How to Create Long Exposure Fine Art Photography, please go to: www.SharonTenenbaum.com

www.SharonTenenbaum.com

Wednesday 12 October 2011

Special Holiday Offer: Ebook Now on a CD

The Ebook: How to Create Long Exposure Fine Art Photography is now available on a CD. The perfect gift for the Holiday Season to that photographer enthusiastic that you know.

Ebook on CD Format


The Ebook will walk you through step by step on how to create stunning black and white images using daytime long exposure. Extensive explanations on ND Filters and post processing in the Digital Darkroom.

The Ebook in CD Format is only available until November 25, 2011

Click HERE to View Inside and/or Purchase




Wednesday 14 September 2011

“The Schindler of Photography” - Ernst Leitz II founder of the Leica which is the pioneer of the 35mm camera.

The Leica is the pioneer of the 35mm camera. It is a German product - precise, minimalist, and utterly efficient. Behind its worldwide acceptance as a creative tool was a family-owned, socially oriented firm that, during the Nazi era, acted with uncommon grace, generosity and modesty. E. Leitz Inc., designer and manufacturer of Germany's most famous photographic product, saved its Jews.

And Ernst Leitz II, the steely-eyed Protestant patriarch who headed the closely held firm as the Holocaust loomed across Europe, acted in such a way as to earn the title, "the photography industry's Schindler."
As soon as Adolf Hitler was named chancellor of Germany in 1933, Ernst Leitz II began receiving frantic calls from Jewish associates, asking for his help in getting them and their families out of the country. As Christians, Leitz and his family were immune to Nazi Germany's Nuremberg laws, which restricted the movement of Jews and limited their professional activities.

To help his Jewish workers and colleagues, Leitz quietly established what has become known among historians of the Holocaust as "the Leica Freedom Train," a covert means of allowing Jews to leave Germany in the guise of Leitz employees being assigned overseas.
Employees, retailers, family members, even friends of family members were "assigned" to Leitz sales offices in France, Britain, Hong Kong and the United States. Leitz's activities intensified after the Kristallnacht of November 1938, during which synagogues and Jewish shops were burned across Germany.

Before long, German "employees" were disembarking from the ocean liner Bremen at a New York pier and making their way to the Manhattan office of Leitz Inc., where executives quickly found them jobs in the photographic industry.

Each new arrival had around his or her neck the symbol of freedom – a new Leica.

The refugees were paid a stipend until they could find work. Out of this migration came designers, repair technicians, salespeople, marketers and writers for the photographic press.

Keeping the story quiet the "Leica Freedom Train" was at its height in 1938 and early 1939, delivering groups of refugees to New York every few weeks. Then, with the invasion of Poland on Sept. 1, 1939, Germany closed its borders.

By that time, hundreds of endangered Jews had escaped to America, thanks to the Leitzes' efforts. How did Ernst Leitz II and his staff get away with it?
Leitz, Inc. was an internationally recognized brand that reflected credit on the newly resurgent Reich. The company produced range-finders and other optical systems for the German military. Also, the Nazi government desperately needed hard currency from abroad, and Leitz's single biggest market for optical goods was the United States.

Even so, members of the Leitz family and firm suffered for their good works. A top executive, Alfred Turk, was jailed for working to help Jews and freed only after the payment of a large bribe.

Leitz's daughter, Elsie Kuhn-Leitz, was imprisoned by the Gestapo after she was caught at the border, helping Jewish women cross into Switzerland. She eventually was freed but endured rough treatment in the course of questioning. She also fell under suspicion when she attempted to improve the living conditions of 700 to 800 Ukrainian slave laborers, all of them women, who had been assigned to work in the plant during the 1940s.
(After the war, Kuhn-Leitz received numerous honors for her humanitarian efforts, among them the Officier d'honneur des Palms Academic from France in 1965 and the Aristide Briand Medal from the European Academy in the 1970s.)

Why has no one told this story until now? According to the late Norman Lipton, a freelance writer and editor, the Leitz family wanted no publicity for its heroic efforts. Only after the last member of the Leitz family was dead did the "Leica Freedom Train" finally come to light.
It is now the subject of a book, "The Greatest Invention of the Leitz Family: The Leica Freedom Train" by Frank Dabba Smith, a California-born Rabbi currently living in England.

Thank you for reading the above, and if you feel inclined as I did to pass it along to others, please do so. It only takes a few minutes. Memories of the righteous should live on.

Tuesday 21 June 2011

Daytime Long Exposure with Wind Farms

Photographing wind farms was on my ‘To Do’ photography list, so when I planned my trip to Portugal I was happy to find out that wind farms are spotted all over the country on mountaintops.  Although I kept seeing them from the bus and train, I hadn’t rented a car and therefore thought that my wind farms would have to wait for another occasion.  On the last stretch of my two weeks in Portugal, I headed down south to the Algarve region for some R & R, but laying the beach I say the clouds roll in and I just couldn’t let this opportunity pass.  I packed my stuff off the beach and headed to the nearest car rental place and headed to the mountains.  In my mind I envisioned taking a daytime long exposure of these majestic creatures as fine art and use three different exposures:

  1. a quick shutter to catch the rotors as a still shot.
  2. a long exposure to catch the motion of the clouds, and
  3. a longer than still shutter speed to catch the rotor in motion since in the long exposure the rotors came out completely invisible.



The result you can see below:

Wind Farm #1 I superimposed two images: a daytime long exposure and a quick shutter for the rotor, catching the movement of the rotor (as I thought in exposure #3) just didn’t seem to come out as I envisioned since the clouds came out as still shot too.


Wind Farm #1

Technical info of Wind Farm #1 Image 1:

Daytime long exposure, Shutter speed of 94.8 seconds 1.3 minutes

Aperture F-11, at 18 mm (DX sensor)

I placed two ND filters, a 10 stop and a 3 stop for a total of 13 f-stops

Later in the ‘Digital Darkroom’ I converted the image to black and white.

  


Wind Farm #2 is just one shot with a semi long exposure, the first turbine’s rotor was spinning very slow for some reason so I managed to catch the movement or the rotor as well as the clouds with one shot.

Wind Farm #2



Technical info of Wind Farm #2:

Daytime long exposure, Shutter speed of 242 seconds 4 minutes

Aperture F-16, at 60 mm (DX sensor)

I placed two ND filters, a 10 stop and a 3 stop for a total of 13 f-stops

Later in the ‘Digital Darkroom’ I converted the image to black and white.



For more on daytime long exposure and to learn how to create these images, please go to www.SharonTenenbaum.com where you can purchase the EBOOK called’ How to Create Long Exposure Fine Art Photography’.

Tuesday 14 June 2011

Vasco de Gama Bridge

The longest bridge in Europe, this majestic structure leaves you in awe. I was struggling to create an image that would capture its beauty and marvel in one frame. I tried different angles but there is something about water and the human eye that needs a horizontal horizon line.  I knew it had to be in a long exposure and found myself going back to the location three times to get the conditions I needed.  Eventually the wow shot was the one I believe created a strong yet serene emotion.




Technical info:

Daytime long exposure, Shutter speed of 655 seconds xx minutes

Aperture F-11, at 38 mm (DX sensor)

I placed two ND filters, a 10 stop and a 6 stop for a total of 16 f-stops

Later in the ‘Digital Darkroom’ I converted the image to black and white.



For more on daytime long exposure and to learn how to create these images, please go to www.SharonTenenbaum.com where you can purchase the EBOOK called’ How to Create Long Exposure Fine Art Photography’.

Tuesday 31 May 2011

Black and White Spider Awards - Sharon Tenenbaum’s ‘Jerusalem Chords Bridge wins an Honourable Mention.

To view all winners and nominees, please visit: www.thespiderawards.com


I found this bridge very hard to resist photographing. Jerusalem’s Chords Bridge, located at the entrance of the city, this very controversial bridge was built in honour of Israel’s 60 year anniversary (2008) and symbolizes David’s Harp. Many claim that its modern look does not blend with the city’s white sandstone façade, regardless; I think it makes a good photo.

A few technical details:

This photo was taken as a daytime long exposure with 2 ND filters, a 10 Stop and a 3 Stop (total of 13 Stops) and had a shutter time of 2.5 minutes.  Although the original photo didn’t have much colour in it to begin with, it gives a better impression in black and white.  To learn more about how to create Daytime Long Exposure Photography, please visit my web site at:

www.SharonTenenbaum.com where you can purchase my ebook on ‘How to Create Long Exposure Fine Art Photography’.


Friday 22 April 2011

GASTOWN STEAMCLOCK PHOTO

Gastown Steamclock, Vancouver, BC

Living in Vancouver, BC, we witness a lot of rain. A lot. A wanted to create a photo that would convey the wet winter we have along with the beauty and character of the city.

In the downtown district of Vancouver is the area of Gastown. Small cobblestone streets aging back to the date of Canada itself, a mix of old and new architecture and in the heart of it all is the iconic Gastown Steamclock. The Gastown Steamclock is the world's first Steam Clock. Designed and built by clockmaker Raymond Saunders in 1977. The clock is powered by steam from an underground system of pipes that supply steam to heat many downtown buildings. Each 1/4 hour the clock sounds Westminster chimes on 5 brass steam whistlers. The 1875 replica movement is powered by a 'falling ball' drive; it has a cast bronze case and weighs over 2 tons.



I had a vision of getting a night photo of the wet cobblestones and the steamy clock, one of pre-meditative images. So on a rainy evening I prepared myself to get out there and take my shot (brrrrrrrr). My first attempt was around 10 pm with a long exposure of about 13 seconds, I was lucky to catch a break in the rain and after coming home and inspecting the images, something just wasn’t quite right (too many cars in the street, composition wasn’t pleasing etc). I couldn’t fall asleep knowing I could do better, so a few hours later (you can see the time on the clock!) I was out there again, setting my tripod, this time with an umbrella, preparing for a long exposure of 13 seconds and got my shot. (did I mention that persistence in this profession is a must…)



To emphasise and dramatise the beauty of the Steamclock, I separated it from the background, converted the background to Back and White and kept the Steamclock in its original brass colours. Today this image is one of my most popular Vancouver shots. I guess I am not the only one that finds the wetness so characteristic to Vancouver J.

Wednesday 20 April 2011

LIGHT AND DARKNESS – DRAWING WITH LIGHT

I believe that unlike drawing with a pen / pencil where you create an image with ink, photography creates an image with light and the darkness is its canvas. 

Watch this fascinating TED talk with Lighting Architect Rogier van der Heide as he explains: Why light needs darkness
 
 
 

Tuesday 12 April 2011

What is Daytime Long Exposure Photography

Long Exposure Photography is any photo where the shutter speed is open for an extended amount of time and of course during the day (as opposed to the common practice of night shots)

The Long Exposure Photography technique taught in my E‑book: How to Create Long Exposure Fine Art photography, explores the method where the camera shutter is open (during the daytime) for time periods in the magnitude of minutes, thereby creating a soft appearance for objects that are in motion as shown in the Figure below.  Enabling a long shutter speed in mid day is due to the help of ND filters.  The filters create a darker reality and thus enabling a longer shutter speed.

The beauty of this technique is created when pairing a static (hard) object such as a structure or a cliff, with a moving (soft) object such as clouds or water.  The objective is to create a contrast of soft and hard which adds depth and strength to a photo and produces a Fine Art image.



Figure 1 - New York, A Room with a View



Notice in Figure 1 how the clouds create a blurry, brush‑like effect due to the nature of their movement making the sky look like “streaks”.  The motion of the clouds creates a strong contrast to the stable buildings.

Photo Data of Figure 1-1:
Focal Length: 18 mm
Aperture: f18
Shutter Speed: 121 seconds (2 minutes)



Converting the image to black and white is up to you.  It does demand a striking image and doesn’t let the colours ‘steal the show’ but sometimes, it’s better to leave the colour as in Figure 2 below.


Figure 2

This image was taken in Cuba, the warm earthy colours get lost when converting the image to black and white so in this instance I opted to leave it in colour.

For more information and tips on daytime Long Exposure Fine Art Photography, please visit:

Sunday 10 April 2011

Praise for EBOOK:How to Create Long Exposure Fine Art Photography by Joel Tjintjelaar

Check this out! BMW just bought Joel Tjintjelaar Long Exposure images for their new campaign and now my EBOOK, How to Create Long Exposure Fine Art Photography is being marketed on his web site:
http://www.bwvision.com/
THANK YOU JOEL!!!
 
Joel’s review:
Sharon Tenenbaum is an award winning photographer from Vancouver specialized in long-exposure fine-art photography. A wonderful emerging talent who has earned my respect and admiration. Especially since she has some superb bridge photos in her portfolio that I'm really envious of and also because she wrote a great book on long exposure fine-art photography. It's very well written, informative and so easy to read. Now if you want to learn all about long exposure photography, then don't bother reading my articles anymore, Sharon's book is so much better!

Visit www.SharonTenenbaum.com and check out her wonderful portfolio and go buy her book!

Thursday 7 April 2011

About Sharon Tenenbaum

Welcome to my Blog. 
My name is Sharon Tenenbaum and I live in Vancouver British Columbia (B.C.).

I started my life as an engineer and worked as a P. Eng for 6 years before I decided to embark on a career change into Photography.  I strive to create images that you show something in a way you haven’t seen it before – a photo that will make you go WOW, at least I try J.

I started my photography career while traveling in South East Asia and seeing the world thru the lens of a camera, returning to Vancouver I had to rediscover my ‘backyard’ thru a new set of eyes.  Seeing things and places in a ‘different way’.  Naturally, because of my engineering background, I was drown to Bridges, which gave birth to my Bridges portfolio and my Capilano Suspension Bride Image which won first place in the 2008 International Photography Awards for Architecture – Bridges category.


Capilano Suspension Bridge
First Place in the 2008 International Photography Awards for Architecture, Bridges 

Kamloops Pedestrian Bridge
Example of Daytime Long Exposure with subject of a Bridge

While developing my own style I came across Daytime Long Exposure Photography.  I was mesmerized by the elegance, simplicity and beauty of the images that combined motion with stagnant objects. However, I found that the majority of these daytime long exposure fine art black and white images were of predominantly nature landscapes.  To develop my own style, I decided to incorporate this technique with my passion of bridges and architectural photography.

I found that allot of people would ask me: ‘How did you do that?’ This triggered my E-Book: How to Create Long Exposure Fine Art Photography



E-Book: How to Create Long Exposure Fine Art Photography

In this blog, I want to send out to the world topics in photography that not only about dry and technical information about cameras and photography but also about the nature of following your passion, embarking on a career change and the difference between good and great photography, although the techies will also find some useful tips J.

Thank you for stopping bye and I hope you enjoy the stories I have to share.
Sharon Tenenbaum, Vancouver B.C.